>Action Heroine Cheer Fruits 12
My anime of the season. Let's start with the negatives, the little things that stop it from being a masterpiece. First of all, some characters are too rough. Green is just greedy, Pink is muh gozen-sama and explosions. Pink was needed to explain the special effects, but she could have been used better. Green was pointless.
Another issue is that they never explored Roko being crazy, and she was genuinely crazy with hallucinations.
The first big positive is Muramura. I've already wrote about her being a oujo-sama but going behind it, and it was great. She was perfect for comedy relief, she was perfect when competitive spirit was needed, and her being a constant loser (who, once, managed to win) was plot relevant.
I liked hot they were second, they didn't manage to win everything. It was a good way to avoid an ending that could have been too nice and perfect.
The biggest reason why I like this though is another. It's all in the last episode, when the Captain is away and they change their show to tell a story about themselves and her. It's a perfect way to end the anime (despite the hook here, on the left, and how much I liked this anime, I hope we don't get another season) and to end the evolution of the show.
It was amazing how I was cheering for the girls despite knowing it was just a show inside the show, and despite the anime showing you elements to remind you that nothing was "real", like in pic on the right above.
>Princess Principal 12
A fun anime, but nothing more. I feel that the stakes were way too big for what we saw in the first episodes. It should have been 12 episodes of episodic spy SoL with the revolution being its own movie, in this way the status quo would have had a much different impact and value.
>Precure Kirakira 33
This episode made me like the sweets theme. It was perfect to explain to little girls the weight behind humanity and humans creating something.
>Msonic
A good way to statpad your MAL. It wasn't that bad, it did what it was supposed to do. The only awful thing was the dance at the end. I liked Lucy being part of the "hell" band after leaving the "heaven" band, it was funny.
>Konbini Kareshi
I don't think the ending was bad, but it was not satisfying. Ok, he confessed, but it was interruped by the camion so we couldn't hear it because... and we should have seen her being better and healthy.
The biggest issue with Kareshi is that, fundamentally, it had no reason to be an anime, it could have been a live action and it might have been better looking.
This episode had some nice touches though (and some bad ones).
>Made in Abyss
Heavy and powerful episode, but I would have avoided the whole air baloon reaching the surface like that. It felt too positive and happy compared to what had happened. I liked how Nanachi's house looks like Mitty, I didn't notice it before.
>Centaur Worries and New Game
I am writing just a couple of quick thoughts on these.
Centaur Worries had an awful ending. It didn't feel like an ending at all, the rpg parody was boring and lazy, the fanservice was presented like they had to. The arm wrestle tournament was pointless. I couldn't expect Over the Top with centaurs but damn they could have tried.
New Game ending was better. It had a conclusion, it told us the story isn't over, and all around did what it had to do. The part were Aoba thought Kou was still there was well done imho, I almost expected this to end with a mad Aoba.
>Kakegurui
I think that Kakegurui was mostly about women being able to decide how to live their lives. This make the use of the gambling elements almost ironic. The scene that perfectly capture this is when Meari rejects the life plan. She describes a happy life, but throws it away because that's society's definition of happiness for a woman, not what she wants. Other elements are the males: out of 3 relevant males, one is the mc, who is the positive figure and accept Yumeko's crazy gambling way. He's also the one that makes Yumeko very happy when he tells them he will be the one that decides the risk he's going to take.
In this contex we see the three girls: Meari is a feminist who wans freedom, to be able to decide her path, Momobami is the post feminist, a classic japanese strong woman who uses the "being" of a woman for her own power/success, and Yumeko. Yumeko is the goddess, as in the superior being mortals can't understand, with her own moral compass. She can give you the power to be free, but it comes with a price. Meari and Momobami are opposite because one wants to change things and the other uses male belief to be the one in control, but both are opposite to Yumeko, because they play by the rules of society, Yumeko doesn't. Then, Yumeko and Momobami are opposed to Meari because they enjoy what they are doing, while Meari is doing what she has to.
I think it's important to note that this is not a feminist anime in the sense of telling you that men are mongs that shouldn't have the right to vote like Idol Jihen did, but it does tell you that Meari is right and the most normal one.
I liked Kakegurui. The characters were fun, the gambles werea bit dumb but watching them fall against Yumeko was amazing, and it did say something. The ending was castrated by it being an adaption, that's the only problem for me.
>Action heroine cheer fruits 11
So many nice things in this episode. God I love episodes where the forces of evil join the good guys against the bigger evil.
>Fate Apocrypha 12
>Hina Logi 12
There were some neat visuals here. I liked the use of the star globe to let us know when the scene was happening (at night), instead of directly showing the starry sky. I also liked the use of the photos, it had both a meta value (at least for me, they looked a lot like screenshot I would have taken), and a crystallization of the fleeting moment.
All things considered, I'd say that Hina Logi used well the fact that it was an ad for something and not an adaption or an original. It had some issues that stopped it from being my AotS, namely episode 7 (I didn't like how it introduced some plot points about Mizuki that were never recalled), and episode 10 (dumb drama imho). There were some good ideas, and whoever worked on this was thinking well about what they were doing, but the budget was not enough. Another issue was that, after episode 25 of precure, Mizuki x Yuko left a bad taste in my mouth.
>Isekai Shokudou END
There are more things I disliked than I liked here. The positives were some characters, like the half elf cake, and that's it.
The biggest problem is that the whole anime felt like a masturbation for wannabe amateur cooks, not even amateur cooks. It was all about how our mundane food is amazing for medieval people, which is ok, it's not a bad idea in itself, but it was so shallow in its presentation. This connects with another issue, or the fact that the recipes are boring. I admit this is my problem, because I expected adventurers cooking with recipes like in Dragon Crown or even WoW. But then, things like Wakakozake or Ramen Daisuki Koizumi-san managed to make mundane recipes a lot more interesting than Isekai managed to. Just the skin peeling of the salmon in the first episode of Wakako blows Isekai out of the water.
Another issue is the cast. Too many characters, which made it hard for me to care about them with the few minutes they had, and they never interacted with each other. The narration was quite boring as well. I liked only the lizard man episode, it sounded like a documentary.
I also found the world hard to believe. Elves that don't know about dried mushrooms? they should know everything about forest products and how to process them. The dwarves knew about "whiskey" (or whatever their version of whiskey was), which is distilled "beer", but they were so surprised by beer? I assume a lot of things were cut from the books to be made in the anime, but still.
>Action heroine cheer fruits 10
Nothing much to say here. I wanted the drama to be about Green trying to monetize the group and the girls not liking it, but what we got was good enough. Most importantly, it was believable, and it made sense with all the doubts among the girls we saw so far.
>Kakegurui 11
Nice episode. I've wrote about the transition with the eye and moon. Here there is Yumeko, with hair that look tentacles, dragging the girl to the depths of the abyss.
>Shoukoku no Altair 10
I liked the transitions here
>Action heroine cheer fruits 09
Hype episode, I found myself cheering for the fictional characters inside a show. Also, the use of the fireworks was a nice understanding of the magic of theatre, whatever that is.
There were also some nice images, like this one for Roko.
>Princess Principal 09
Fuck me what an episode.
It started all fun and happy go lucky, then it slowly walked up to a serious episode. Every thing presented was compared between the two countries, like the disgusting food, the swords.
Kicking the butterfly was a cheap way to introduce the lad as a villain, but this is what you can do with the time you have. Butterflies are not only pretty, they have a meaning. According to wikipedia, in Japan they are a personification of the soul. I am more interested in the western concept, where the metamorphosis is related to the "renata" of the mysteries. In the end, Chise couldn't become a butterfly, she couldn't change. She remained the eastern girl who doesn't understand duels and is not part of the team.
I think this is the point of the episode.
It was done out of fun and Chise wasn't offended, but ALL the Albionese are racist fucks, it wasn't only the bad guys. They are grey, there is no white.
Princess used Chise for the duel so the rest of the team could do their job. Chise is useful only when she isn't aware that she's being used, this is lower than Beato tier.
Chise is fundamentally alone, and she will always be only a Japanese in Lizardshire.
>Centaur no nayami 09
>Acion Cheer Fruits episode 8
Probably my favourite episode, but I'd have to rewatch them to be sure.
I like what the translator is doing, but here he missed an easy reference to Gozilla and the oxygen destroyer. Maybe he thought it was too obvious.
Calling the hip attack, and then showing a frame within a fram with the butts was nice. I think this is how you should fanservice. In general, I like the fanservice in this show, It gives me what I want in a natural way without silly exaggerations, and it doesn't treat me like a pig with no self respect. There was a similar scene when Ann said something about being fired up (moe, burning in japanese) and the frame was burned by a flame.
Cheeky cunts making fun of the watchers, they also made a similar point when the presence of the idol increased the amount of big friends among the watchers.
>Hina Logi episode 10
>Vatican kiseki chousakam episode 9
>Isekai Shokudou 9
How to not do world building: if you tell me that whiskey is similar to what the brewer does, you can't expect me to believe they have no idea what beer is.
>Princess Principal 8
>Kirakira precure 29
>Action heroine cheer fruits episode 7
Also, Muramura is one of my favourite oujo-sama. Of all the stock characters, the oujo-sama is usually the least thought about, and fundamentally she does two things: say desu wa and be rich. The money is used to solve problems and the comedy comes from WHAT they are instead of developing from WHO they are. This is not so bad for the other stock characters, because they are still someone and not a fat wallet.
>Sakura quest 21
>Vatican kiseki chousakan 8
>Hina Logi 9
For example, the use of shadows, or taking full advantage of the characters being drawings. I mean, compare Lion being straight lines to how Hinako Note turned Hinako into a scarecrow. Hinako being a scarecrow was much more important for her character and it was real, in the sense that the other characters actually noticed it and even used her as scarecrow. Lion instead was done to show us the emotional state of the girl. The two are then not exactly comparable, I just want to say that Hinako being a scarecrow could have worked in a live action while Lion couldn't, and I think this difference makes Hinako's less interesting to watch.
>New Game 7
>Guru guru 7
This comes in three shapes. The first is how fast they talk, which I can not translate into images. It's so bad that I feel like I should slow down the audio.
The second is how each scene is compressed. They use very few frames, basically the minimum they need, to convey the message, like how the fairy turns around in the image on the left. There a lot of characters popping up in a scene, lot of things that happen. It makes the anime feel almost like an america tv ad, where you are bombarded with informations and exciting things to keep you paying attention.
The third is how the anime leaps from a scene to another. I saw it's adapting how things went in the manga, but I think it's a good example of a bad adaption, because it doesn't realize the differences between a video and a sequence of still images. You can see this on the image on the left, where the anime goes from A to B with only some frames of the sky to tell us it's night to separate the two events. Something we actually didn't need. In the manga, you flipped the page so it felt different. You can (kinda) see it in the last two images, in a real book it would feel even more separated because of you physically turned a new page.
>Hina Logi 8
The image on the right is simple, but smart. Not only we see all the three girls talking, we also see a piace of the floor. This suggest we are sneaking around, and we are listening on something we should not be listening to.
>Made in abyss 7
>Sakura Quest 20
There were some good things in this episode, finally we had a tight story with no wasted scenes and time.
Instead here (middle) we see Sanae being upset and not feeling confortable for some reason. Was she traumatized by tke kids slapping her ass?
Lastly, there were some rought cuts not because of what happens but because of the music. It's really noticeable how the bgm seems to be growing growing and then it drops suddenly.
>Princess Principal 6
>Vatican Kiseki Chousakan episode 6
This episode used a lot of painting visuals, it was very nice too look at.
>Sakura Quest 19
Let's continue to shit on Sakura Quest.
There are scenes that (I think) are supposed to be fun but instead should be deadly serious, like when they talk about Maki quitting college. It's basically a broken family with a daughter that doesn't want to see her father and we get this weird comedy song?
Maki leaves her house and close the gate. This is supposed to be serious, but it looks like a parody because there is a huge side with no wall, it's stupid.
There are scenes that seem to be there for no real reason. What was with Ririko's song? Did they have no better way to let Ririko do something? was it about the words of the song?
The gaijin's puppet show, her meeting her father, it feels so empty. Things have to happen for a reason, either to let us know something or to let the characters know something, or to play with what we know/don't know. So why was Maki there?
There seems to be a huge "be happy when you are young by doing what you like" theme in this episode. The problem is, it doesn't work. I wish they were amateurish mistakes, at least they would be made out of love and not "we don't know what we are doing and we don't really care".
>Hina Logi episode 7
There are some things I didn't like and understand about this episode.
>Centaur worries episode 5
I think people are misunderstading this anime. It's not exactly a parody, it's closer to pushing it to its logical limits but in a serious way. I never get the impression that the author is criticizing the situation, he's merely narrating it objectively.
The only time the author made a joke about this sort of forced multi-culti was when Nozomi slapped Quetzalcoatl, but that was more a parody of foreign important person being protected than of the forced multiculturalism.
>Sakura quest episode 18
>Precure kirakira episode 25
Oh man. I admit that I forgot about 99% of the precure episode I've watched, but I don't remember another episode this well done. Same goes for anime in general. I am not a expert on anime directors, and I don't claim to have watched or remember every episode, but something this well done, I haven't ever seen ever except in Dezaki's anime. This is going to be very long and maybe deserved his own page. Anyway, let's start.
>Ballroom ep 4
Dropped, the mc dodging the ban made me too angry to continue.
>Kakegurui ep 5
Nothing will convince me this game was not about an abusive relationship. The anime is shaping up to be about feminism (Mary) and post-feminism (the council).
>Action Heroine Cheer Fruit ep 4
I want to believe it will talk about what theatre IS sooner or late. There seem to be something bigger than each episode but I don't see what it is.
>Hina Logi ep 6
I was really confused by why -ssu was in the shadow and Lion and Belle were in the light. I still am not sure if I get it right, I assume it was meant to show me that Belle knew if/how humans can go to another world.
>Sakura Quest 17
I am getting tired of criticizing this anime, so I'll keep it short. This scene showed another problem with this anime, and this is the amount of scenes that are meaningless. For example here we saw the old man say he likes big butts, which is a nice thing because it calls back to the kids slapping Sanae's ass. The problem is what she says after. She knows he did it and we know he did it, so it adds nothing. It's visually boring. All it does is pad the anime, and makes it boring for the viewers.
I didn't like how the president didn't get her date. I know what I wanted (the 25th episode of kira kira again) wouldn't have fit the anime, but still, something less joke-y was deserved. I didn't like the crow/medal plot at all, was a bit dumb and pointless. I mean, I know it served to introduce some elements (the foreigner signal) but come on.
I am confused by the foreigner signal and by what the president was doing, who the "ninja" running was, and why everything happened, basically. I pray it won't be another joke character turned evil plot.
This anime/manga is about race and not culture is crucial, because it completely remove any sort of parallel with the real world.
There is no immigration issue here. The races have always lived together.
The removal of racism is completely based on the asian idea of the individual being less important than society. This is completely different from the western* situation where it's mostly about individual's feelings.
Also, here the government is damn clear to the people. There is no secret police, no internet activism, no anti-fa thugs. The whole population knows and understand that removing racism is not easy, but they took that road.
Again, this manga is not a parody of western sjw (oh, what kind of arrogance do people have to believe this), the author is describing the limits of what a government for the sake of harmony can do.
In fact, this is probably more about how Japanese people eliminate themselves for their society than immigration in europe.
The intent was evidently to leave you wondering "what the fuck", while at the same time justifying his death.
The characters themselves say it was sudden and doesn't feel real.
So, why did it not work (in my opinion)?
First of all, I do not care about him. I didn't have time to, and frankly he never was likeable.
Second, the death didn't feel pointless, nature is cruel and all. It felt like a reason to let the girls find the mcguffin. The girls hearing the name sugita also felt a bit too much of a coincidence for me. What was going to happen if he didn't die?
Third, the death itself was, well, bland. Not realistic, bland. He simply drops down. Maybe it would have been better to have him get up to get ice, cut to pink Aoi answering the phone, I don't know desu. The cut to his feet though is utterly pointless, that's for sure. It doesn't add much to what we saw right before, and the new information (the other room's floor appears to be lower) is meaningless. In fact, it would have made more sense to see him trip coming back from that room.
>Konbini Kareshi ep 4
This scene was a lot funnier than I expected, I don't know why. It could how the characters are good at "acting", because I could hear iinchou's "oh fuck", her realizing what was going to happen, and the inevitability of what was going to happen. A couple of scenes with Mashiki being alone together surrounded by people did their job but were, maybe, too in your face.
>Kakegurui ep 3
I think it's very interesting how Mary does not focus on the loss of dignity as human as a whole, but on a very specific part. When she sarcastically describes her future life, what she's describing is the traditional idea of happiness as a woman: kids and a important husband.
I think this is an mportant and conscious decision by the author, it's the feminist idea of the woman deciding what makes her happy more than a general man must be free to decide his future position. It serves as opposite to the council, a matriarchy, but one that follows the rules of the society of men (for their own good) and doesn't fight them. It's feminist vs post-feminist comparison.
>Ballroom e youkoso ep 3
It's not bad, but it's every shounen spokon cliché with one of the most plastic and fake "sport" ever. Like, the bathroom room scene was almost surprising.
It's also too scared of sex. The bodies are good looking but they are never hot, the scene here with coach undressing the girl is (supposed to be) funny but it shouldn't, it should be hot, it should make me feel bad because I am falling for what the coach is saying. The mc feeling bad because the girl is dancing with another boy was not sexualized enough.
And the gorilla throwing Red down the stairs? he doesn't care, not because he is like that, but because the author simply wanted a reason for the mc to dance and this was the best he could think of.
>Konibini kareshi ep 3
Very subtle.
>Sakura quest ep 16
Lucia and her "Liliko" are some of the cutest 2d things ever.
>band made of students
>in the 60s
And yet it was a completely neutered flashback, it could have been the 50s like the 90s. All we got was the struggle of a local band with no sense of when we were.
I mean shit, look at what happened in 1964
https://en.wikipedia.org/wiki/1964_in_Japan
>April 1: Japanese citizens are permitted to freely travel overseas.
This in particular should be crucial with the talk of the 3 wanting to leave the town. It doesn't have to be political, but it needs to show that there is something in this anime, some meat. Instead the flashback was exactly like the whole anime, a complete flat experience. Whenever they tried to be more "deep", like the image of the tourist stomping on the town's flyer, it was almost offensively simple.
And fuck, do we want to talk about the three kids laughing at the fish out of water dying horribly The director asked for it, and/or who drew that scene drew the fish. Why? was it supposed to be fun?
>Touken ranbu ep 2
This was a very romantic presentation of both what being a "sword" is, and it shed some good light on people who are against open borders. I don't believe in those conservative positions, but still, it was nice to finally see them not being full blown villains.
>Konibini kareshi ep 2
The timed this perfectly with me laughing. I appreciate how they are showing the fact that the iinchou doesn't like having her personal space invaded and how this is a completely foreign idea for the lad, he's like a huge pup who doesn't know that what he's doing is wrong. I mean, it sounds cute but it's only thanks to the 2d magic.
>Senki Zesshou Symphogear AXZ
It was a smart move to show the lad saving the girl thanks to a football, it made the impact of him losing the leg even worse.